![]() ![]() As a result, fragmentation – pictorial and structural – becomes the (dis)organizing principle of the film. ![]() (The other) John Hughes’ One Way Street: Fragments for Walter Benjamin (1992) seeks to present vignettes from the German philosopher’s life as well as his writing, predictably, in a form that reflects Benjamin’s own working method. One Way Street: Fragments For Walter Benjamin (1992) ![]()
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